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ANC - Five Chilean composer

Roberto Falabella

born Little's disease, which it fell to a wheelchair all her life. His whole teaching is conducted in the country with various teachers, earning fame as a man slowly solid in his musical training and natural leader of his generation. Culture and its interest in the problems Socialists are to join the Communist Party of Chile, which was an active militante.Su catalog covers 59 works that focus mainly between 1954 and 1958, his early death. Falabella's style was always an experimenter. Dodecaphony practiced (free form), the modal writing, the use of the full chromatic scales and tones, pentaphony and traditional major-minor mode of universal music, never underestimate the earlier styles of these techniques, showing thus very heterogeneous. The fundamental aspect of his work is the rhythm, which uses as a unifying element for the handling of thematic material as a strategy for structuring formal music.

Leon Schidlowsky

composer, studied music at the National Conservatory and in Germany. On his return in 1955 was part of the group Tonus and with Eduardo Maturana, Fre Focke, Rodrigo Martínez Esteban Eitler and actively promoted contemporary music. From 1965 he taught at the Faculty of Music Arts and Sciences, University of Chile and directed the Institute of Musical Extension. At the end of 60 he moved to Israel where, as professor at the University of Tel-Aviv, where he continues teaching and composing

Acario Cotapos
Born in Valdivia on April 30, 1889, Acario Cotapos is one of the greatest composers figuration Chilean international has been with Enrique Soro. Nonetheless, "the figure remains in musicological terms, as one of the great unknowns of Chilean music, says the director of the Center for Domingo Santa Cruz Extension, University of Chile, Prof. Luis Merino Montero.
Noted musicologist Cotapos defined as a composer dedicated to his art that never was attached to no infrastructure in Chile or abroad, and that unlike most of its national peers, never building efforts combined with the teaching of music criticism musical, musicological research or administrative tasks.
His passion for creating a permanent resulted in dissatisfaction and a constant search for the new. This led him to stay for long periods of his life abroad in Buenos Aires, New York, Paris and Madrid and other cities. Thus, their work became known abroad rather than in their own country. "In the history of Chilean music, Acario Cotapos represents the constant renewal and the way that challenges the established perennial youth," said Luis Merino Montero in his study "New Light on Acario Cotapos" published in the journal Musical Chilena (N ° 159, January-June 1983).

Eduardo Maturana

he studied at the National Conservatory of Music where she studied with the master Pedro Humberto Allende, who received a formal technical soIida. Maturana is one of the first Chilean composers which investigates and works twelve-tone system, whose approach has been professional sion of faith.

Enrique Rivera, composer and music critic. Music and composition studies on the Instituto Torcuato di Tella in Buenos Aires, Argentina and the Nordwestdeutsche Musikakadamie Detmold, Germany

Link: http://rapidshare.com/files/261631202/Cinco_compositores_chilenos__1964_.zip.html

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Pedro Humberto Allende - Tunes
Pedro Humberto Allende Sharon (born in Santiago on July 29, 1885 - 1959), one of the most important Chilean composers and obtained National Art Prize mention music in 1945.
was the son of Juan Rafael Allende and Celia Sharon, his father distinguished himself as an actor, writer and journalist combative and anticlerical, whose writings are reissued to the present, while Celia has been described as a woman " French origin, distinguished pianist and teacher, inspiring his artistic children. "As the father, in music, it was basically a cheerleader for social gatherings, as Payar liked singing songs and humorous .
When I was six, the fifth country of the family was looted, left to the soldiery truinfante after the battles of the Civil War in 1891, due to public support for his father to the cause of President José Manuel Balmaceda .
His first academic contact with music was due to his older brother, Juan Rafael Allende, professor National Conservatory. Later, he entered the campus, where he studied with teachers Augustine Reyes, Aurelio Silva, Carlos Debuysère , Sunday Brescia, Luis Esteban Giard and Stöber Federico, with whom he learned theory, music theory, violin, piano, cello , harmony, counterpoint, fugue and composition. In 1908 he became a teacher, along with obtaining diplomas of harmony, composition, violin and singing. Two years later, in the framework of the festivities Centennial Chile, participated in a singing competition and won a prize of 1500 pesos. In 1912, one of his former teachers, Brescia , what warmly congratulated a composition for string orchestra.
traveled to Europe in 1911, commissioned ad honorem by the Chilean government to improve their knowledge. Visited Portugal, Spain, Italy, Switzerland, Germany, Holland and Belgium. Upon his return, he presented a report that said some reforms that were introduced in the National Conservatory. The following year, made a new trip to Europe, reaping significant victories in Spain. Lectured in Chile, Germany, Spain and France, referring to different parts of musical art. He was professor of Conservatory National Normal School No. 1 in Santiago, the Lyceum Lastarria , the Normal Abelardo Núñez , the Liceo de Aplicación, Liceo Valentin Letelier , among other establishments. He also participated in international art events. He was married to
Tegualda Ponce, whom he fathered two children and Tegualda Ikela.
As a composer, I seek your inspiration on character grounds Chilean Mapuche peasant, among his works are:
The Voice of the Streets - Symphonic Poem
12 tunes for piano concerto
cello and orchestra
(source http://es.wikipedia.org/ )

Oscar Gacitúa

Born in Talca in 1925 began her musical training at age 5. Eight debut with violinist Peter Dandurain and 12 occurred in Santiago with the Symphony Orchestra.
was a pupil of Alberto Spikin and disciple of Horzowsky in New York . His relationship with Claudio Arrau was decisive in his career: the 16 years left the piano back to school and then studied law, he left three years later. It was at the behest of Arrau who returned to the piano bench. "Until then, for me music has always been a great hobby " he said. Arrau himself got him a scholarship to study in New York between 1950 and 1953. In the United States had very positive reviews, receiving offers to start an international career as a concert, but decided to return home: "I chose to settle in Chile and be head of a mouse," he said in a 1990 interview.
was considered one of the most solid performers Frederic Chopin and in 1955 became the first Chilean to participate in the prestigious Chopin Competition "of Warsaw, where he received a special award. Plants later joined the Symphony Orchestra and Philharmonic Orchestra.
The Wednesday December 5, 2001 decided to end his life
(source http://www.mercuriovalpo.cl/ )

The inclusion of this work is not casual. Not only because this work has the grandeur to mix the traditional Chilean tune with the vanguards of that time in a job that claimed to through time as one of the great piano works Chilean, but because they are executed by one of the great piano teacher and performer and was Oscar Gacitua , and tragic death deprives us of one of the great talent that has enriched Chile.


Link: http://www.megaupload.com/?d=7CPYA2WO

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Greetings again

Dear friends, long time after I return to communicate with you through this blog, first thank the hundreds of friends who supported me with their words, and as to sites and blogs that I have friends linkage I and cited. When you start this site was to disseminate the you Chilean music at that time was little publicized and known, except for a few pioneer, now that time has passed the onset site friends, and publications books have solved this, so that music lovers Chile and elsewhere can learn what has been part of the music that excites us our souls. Second justify my silence all these years, since studies and lack of resources does not allow continue the project, difficult decision to take but necessary. Now I spread
music, but in a new area that requires urgent I think diffusion, which is the classical music Chile. In our environment, this genre has existed in various cultists have addressed the various trends of vaguardias music, creating works of great value that the ignorance, lack of interest , little diffusion limited and sometimes high price issues, tell little about the authors. For this I start to raise issues classic and discontinued of these works, of course ignoring what you can find on the market as issues SVR seal that makes a work of unparalleled importance quixotic and in this sense (though sometimes prices limit their dissemination editions ) to present the most important works of this genre.

I look forward to the beloved interest of you in this new stage. A hug



Francisco Muñoz